Ticket also includes Workshp

The Experience Masterclass provides intimate hands-on instruction exposing you to new stylized techniques, DIY options, lighting subtleties, the most effective way to deliver fantastic cinematic impact. Have Shane be your lighting mentor as you act as the director of photography.

This masterclass will have you utilizing Shane’s lighting playbook, tools, and techniques to enhance your skill set exponentially.

Includes both Masterclass
& Workshop Tickets (Day 1 & Day 2)
AGENDA
  • 8:00am - Show Time Opening: Shane’s Experience Masterclass
  • 8:00am - Shane provides overview of the day

8:45am - crazy / beautiful act 4: Execution

8:50am - Film Clip (Whole Scene): Crazy/Beautiful
9:00am - Act Four: Execution (Media Room Set)
Divide groups into Job Classifications:
Grips, Electrics, Camera, and DP
9:20am - Set up #1 Light Master shot of Media Room & Key Frame C500 / C300 / C100: Select 1st DP
Review lighting schematic on White Board for Master shot DP matches lighting schematic with Shane’s guidance

Light the Master shot: Select our first DP
to match lighting schematic with Shane’s guidance
Electric team: Move lights into position
Grip team: Lay Dolly Track, add Color, add Diffusion, add Flags and Bounces
Camera team: Set up the camera, Set up the monitor and select lens for the master shot
Roll Cameras and shoot Master on Fisher 10 Dolly
Roll Cameras and shoot Master on Movi and Wheel Chair
Roll Cameras and shoot Master on Kessler Crane 12/18 w/
Revolution Head
Students review on monitor
Critique 1st DP’s work
10:20am - Set up #2 Afternoon: Select 2nd DP
Review lighting schematic on White Board for Afternoon
DP matches lighting schematic with Shane’s guidance
Adjust lighting to appear as late afternoon
Scene transitions from mid-day to late afternoon
Shane instructs and assists
Discuss Color, Key Light and Bounce Light quality
Crazy Beautiful
Crazy Beautiful
12:05pm - Set up #5 Carlo's Coverage DSLR: Select 5th DP
Review lighting schematic on White Board for Medium shot
DP matches lighting schematic with Shane’s guidance
Electric team: Move lights into position
Grip team: Add Color, add Diffusion, add Flags and Bounces
Camera team: Set up the camera, set up the monitor and select
the lens for the master shot
Roll cameras and the Medium shot of Carlos
Students review on monitor
Critique 5th DP’s work
Go in and adjust lighting
Change lens if it does not match
12:35pm - Set up #6 OTS Late Afternoon: Select 6th DP

Adjust Color to match DP's Wide shot for Late Afternoon
Add opposing Color to Fill Light
Shane instructs and assists
Discuss Color, Key Light and Bounce Light quality
Critique 6th DP’s work
Go in and adjust lighting
Change lens if it does not match
Crazy Beautiful
Critique 2nd DP’s work
Go in and adjust lighting
Change lens if it does not match
10:55am - Refreshment Break: 10 mins
11:05am - Set up #3 Nicole's Coverage C500: Select 3rd DP
Review lighting schematic on White Board for OTS CU of Nicole
DP matches lighting schematic with Shane's guidance
Electric team: Move lights into position
Grip team: Add Color, add diffusion, add Flags and Bounces
Camera team: Set up the camera, Set up the monitor and select the lens for the master shot
Roll cameras and OTS Nicole
Students review on monitor
Critique 3rd DP’s work
Go in and change lighting
Change lens if it does not match
11:35am - Set up #4 OTS Late Afternoon: Select fourth DP
Review lighting schematic on White Board for OTS Late Afternoon
DP matches lighting schematic with Shane’s guidance
Adjust Color to match DP's wide shot Late Afternoon Feel,
Add opposing Color to Fill Light
Shane Instructs and assists
Discuss Color, Key Light and Bounce Light qaulity
Critique 4th DP’s work
Go in and adjust lighting
Change lens if it does not match
1:00pm - LUNCH

2:00pm - SWING VOTE 4: act 4: Execution

3:45pm - Set up #2 Medium shot of President’s Advisor DSLR: Select 8th DP
Review lighting schematic on White Board for Medium shot of President’s advisor
DP matches lighting schematic with Shane's guidance
Electric team: Move lights into position
Grip team: add Color, add Diffusion, add Flags and Bounces
Camera team: Set up the camera, Set up the monitor and select the lens for the master shot
Roll cameras and shoot the Medium shot of President’s advisor
Students review on monitor
Critique 8th DP’s work
Go in and adjust lighting
Change lens if it does not match
2:05pm - Film Clip (Whole Scene): Swing Vote Day AF-1
2:15pm - Act Four: Execution (AF-1 Night Int.)
Reassign students to different teams
2:25pm - Set up #1 Light Master shot in Night AF-1 C500:
Select 7th DP
Review lighting schematic on White Board for Master shot
DP matches lighting schematic with Shane’s guidance
Electric team: Move lights into position
Grip team: Lay Dolly Track, add Color, add Diffusion, add Flags and Bounces
Camera team: Set up the camera, Set up the monitor and select the lens for the master shot
Roll cameras and shoot Master on Fisher 10 Dolly
Roll cameras and shoot Master on Movi w/ Wheel Chair
Roll cameras and shoot Master on Kessler V3 Crane w/ Revolution Head
Students review on monitor
Critique 7th DP’s work
Go in and adjust lighting
Change lens if it does not match
Crazy Beautiful
Crazy Beautiful
4:15pm - Set up #3 Medium Shot of President C500:
Select 9th DP
Review lighting schematic on White Board for Medium shot of President
DP matches lighting schematic with Shane’s guidance
Electric team: Move lights into position
Grip team: Add Color, add Diffusion, add Flags and Bounces
Camera team: Set up the camera, set up the monitor and select the lens for the Master shot
Roll cameras and shoot the Medium shot of President
Students review on Monitor
Critique 9th DP’s work
Go in and change lighting
Change lens if it did not match what I used

4:45pm - Refreshment break: 10 mins

5:00pm - swing vote act 4: execution

5:00pm - Film Clip (Whole Scene): Swing Vote Night AF-1
5:15pm - Act Four: Execution (AF-1 Night Int.)
Reassign students to different teams
5:25pm - Set up #1 Light Master shot in Night AF-1 DSLR:
Select 10th DP
Review lighting schematic on White Board for Master shot
DP matches lighting schematic with Shane’s guidance
Electric team: Move lights into position
Grip team: Add Color, add Diffusion, add Flags and Bounces
Camera team: Set up the camera, Set up the monitor and select the lens for the master shot
Roll cameras and shoot master
Students review on monitor
Critique the 10th DP’s work
Go in and adjust lighting
Change lens if it does not match
Crazy Beautiful
Crazy Beautiful
6:55pm - Set up #3 Medium Shot on President DSLR: Select 12th DP
Review lighting schematic on White Board for Medium shot
DP matches lighting schematic with Shane’s guidance
Electric team: Move lights into position
Grip team: Add Color, add Diffusion, add Flags and Bounces
Camera team: Set up the camera, Set up the monitor and select the lens for the master shot
Roll cameras and shoot the Medium shot of Bud
Students review on monitor
Critique 12th DP’s work
Go in and adjust lighting
Change lens if it does not match
7:30pm - Debrief
Day review
Entire room discussion: Q & A
6:25pm - Set up #2 Medium shot of Bud C500: Select 11th DP
Review lighting schematic on White Board for Medium shot
DP matches lighting schematic with Shane’s guidance
Electric team: Move lights into position
Grip team: Add Color, add diffusion, add Flags and Bounces
Camera team: Set up the camera, Set up the monitor and select the lens for the master shot
Roll Camera’s and shoot the Medium shot of Bud
Students review on monitor
Critique 11th DP’s work
Go in and adjust lighting
Change lens if it does not match